I’ve been collecting these recordings from a website that’s an archive of format flips-the moment in which a radio station switches its format identity, going from an easy-listening station to a soft-rock station. īut it’s interesting that you went from soundtracking one of the most stressful viewing experiences of last year to making an album fixated on new age and background music, which are typically more associated with feeling relaxed. I find mundane conversations with my health insurance provider to be stressful. We watch stressful things to remind ourselves how much better our lives are. Good Time was a very stressful film, and so was Uncut Gems. “He has people literally slowing down in cars for what they see as these life-changing celebrity encounters,” he recalls. While he worked on Tesfaye’s latest album, this year’s excellent After Hours, the two would grab coffee or go dog-walking in between sessions as Lopatin witnessed just how massive the power of celebrity can be. Lopatin’s perspective on his relative fame has been further altered by all the time he’s spent lately with Abel Tesfaye, aka The Weeknd. I think I thought about it a lot more when I wasn’t popular, to be honest.” It’s a little uncomfortable, but it’s not so bad. “They’re all graphic designers and cool people, and they all ogle me because they look specifically like me. “I see boys wearing OPN merch and I’d go ‘Hey, nice shirt!’ And they’d look up and see me and be shocked,” he laughs with a smidge of discomfort, recalling the encounters he’s endured in Brooklyn’s Greenpoint area, where he lived until recently. As a new decade opens, Lopatin has reached the most unlikely of outcomes: he’s famous now. The 38-year-old’s career began in the underground noise scene, when he released synth-laden new age abstractions, and has taken him down fascinating paths not often traveled by avant-garde musicians, like touring with Soundgarden and Nine Inch Nails, scoring several critically-acclaimed films of the last decade, and working with pop music’s leading artists. As Oneohtrix Point Never, Daniel Lopatin has cut a striking figure through the last decade of electronic music.
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